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Special thank-you offer for those who donate to Tupelo Press for the 30/30 Challenge: Anyone who donates $250 or more to support this 30/30 poetry challenge this month may choose either of TP’s gorgeous broadsides, one of Ilya Kaminsky’s “Author’s Prayer,” the other of Aimee Nezhukumatathil’s “The Ghost-Fish Postcards.” Both may be seen here.  Please indicate which one you would like by writing “Aimee” or “Ilya” in the same space on the donation form (where you may also indicate that your gift is made in support of my part of the 30/30 poetry challenge.)

On Discovering a Crack in the Cornerite

A long slim crack runs down like a dark drip of dried paint
In the corner of my bedroom, where two cream-colored walls meet
Ninety degree angles to frame the southwest border—in feng shui,
Activate the love in your life by attracting yang chi, a golden phoenix,
Mandarin ducks, or dragons (I have frogs and mermaids, silly me).

Five years ago, there weren’t any flaws in the plaster, at least
My eyes did not detect a weak spot; storms and shifty energy
Pulled the big pieces apart, slowly, over time, and I just noticed
The definite divide in white; it’s probably brought on lethargy,
An indicator of “bad” feng shui, cracks challenge intimacy.

I dreamt of Stephen King’s Langoliers last night; they’d come
To eat my memories. I seek safety in my best nightmares
At my grandparents’ house, usually the attic; but feral cat-like
Fur-balls with big eyes and teeth slunk out of the barn, where
Grampa kept electric drill presses; these protect me in dreams.

Such cracks in plaster, and prevention, stirred interest among
Architects in the 1920s; they studied the upward phenomenon,
The movement of the outer edge (take note: the order of walls)
Which partitioned the structure, created the stressors of some
Peeled the papery lime layers away from the cornerite’s seam.

At my first improvisational comedy class, I was late; street
Side parking a bit more complicated than expected. I joined
A semi-circle of sock-footed participants, the meet-and-greet,
Each talking about their “edge,” whether lost or found, they coined
The term in a way I didn’t bet: it meant the margin of vulnerability.

My usual reaction, make a joke (but this wasn’t comedy, not yet)
I live at the edge of a lake, well, not technically; I’m in the ecotone.
Sprawled across my bed today, my focus switched, it re-directed
Attention toward that crevice; it reinforced a conclusion, one
I’d reached on the drive home—this device, my “edge,” had pre-sets
Too narrow, no room for cuts, bleeds or formatting errors—

All human, on and off the page.

– Leah C. Stetson  TP Donate

Leah

Poet. Artist. Ecoheroine. Human ecologist. Spiritual mermaid and Mystic. I write about literary ecology, wetlands, water, Romantic ecology, and quirky adventures with my dog.

Past Posts

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Tupelo Press

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Welcome to my blog, full of fun inspirations and insights on writing, self-publishing, and more!

Lezlie Moore

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Miss Modernist

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The Daily Coyote

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The Ark of Identity

Laura M Kaminski's poetry practice and links

Introduction

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Catherine Evans Latta

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Natural History Wanderings

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Mixed Waters

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Charles P. Martin-Shields

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