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Mist rolls off the pond like tumbleweed. Over Columbus Day weekend, I swam in the lake with a juvenile loon, listening to its creaky voice. A flock of geese flew in a V across a sunset hazy sky. They squawked. Alone in the water, I pushed through hydrilla and slippery reeds, coiled ‘round my wrists like odd bracelets. Back home, thumps and thuds clamor through the woods. It’s just deer and moose. A murmuration of starlings explodes suddenly from trees and even the woodpeckers pause their pecking on a rotten birch. My black ash seep, Fern Gully, smells of sweet fern and wild grapes, a strange brew of grape and goldenrod. A perennial stream trickles through the woods and flows into the pond.
A neighbor told me something eerie about the land—that’s mostly forested wetlands and uplands. We live next to a pond previously called Little Rattlesnake Lake. It was known as a sacred place. A legend told of a healing energy and spiritual protection over all who lived there. I’ve noticed that a number of healers, and others who work in the health profession, live in the neighborhood. My neighbor retold stories about ghosts and spirits, which she had believed to have seen in the woods between our houses. She thought the land was haunted. A hydromancer came with a dowsing rod and he identified several places where water was hidden underground, matching my neighbor’s maps showing the location of pipes and springs. He also confirmed her suspicion—but clarified that the area was charged with a kind of water force and spirits, and they held positive sway over the land. I listened to all of this with great curiosity because I, too, had felt good vibes. When I first moved here, I named my new home “Nixie’s Vale,” with a nod to Tennyson and to water spirits.
Growing up in haunted houses in coastal Maine, I was no stranger to ghost hunters. My family lived in a home that was featured on the TV show, “Unsolved Mysteries,” for one thing, and tourists wandered in through the parlors when I was a teen-ager. We lived on top of Tucker’s Hill, beside the famed Castle Tucker, overlooking the Sheepscot River estuary. I loved to sneak down there in the moonlight and pad over the two footbridges to my family’s little one-acre island, named after my grandmother’s family – White’s Island. A circle of seven trees, which I thought of as a coven of witches, stood around a sunken hole, where the tree roots of one tree flipped backward underground, causing an abnormally large rounded dent. There was something spooky about it. Upon approaching it from afar, a person couldn’t tell there was a hole, since tall grass grew all around it. The result was a sort of concave grassy knoll that tripped runners and captured them like an island-sized Venus flytrap. As far as I knew, the island was haunted only by the family’s dogs, buried on the island. Gramma’s dogs, Brownie and Freda, loved the island, so we always pictured their spirited tails wagging in the eel grass as they hunted for things that moved in the rockweed. I like to think that they continue to guard the end of the second footbridge. I can never go back there, this much is true.
Islands and wetlands, especially bogs, moors, swamps, meadows and seashores, set the scene for a good ghost story. In classic literature, wetlands represented something dark and mysterious. In modern fiction, wetlands are still a preferred setting. Read a short story called, “Phantom Lovers of Dismal Swamp,” by S.E. Schlosser or the famed Sookie Stackhouse series by Charlaine Harris, set in a rural swampy Louisiana parish with quirky stories of the undead.
If you prefer to curl up with a book of wetland ghost stories, try Ghosthunting North Carolina by Kate Ambrose. Most of the book is set in coastal wetlands. For more wetland “ghost stories,” see my other post.